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Easily download and save what you find. Rule Segment – Fancy1 – 40px. If hairs be wires, black wires grow on her head. Than in the breath that from my mistress reeks.
As any she belied with false compare. Sonnet 130 satirizes the concept of ideal beauty that was a convention of literature and art in general during the Elizabethan era. It was customary to praise the beauty of the object of one’s affections with comparisons to beautiful things found in nature and heaven, such as stars in the night sky, the golden light of the rising sun, or red roses. The images conjured by Shakespeare were common ones that would have been well-recognized by a reader or listener of this sonnet. In the final couplet, the speaker proclaims his love for his mistress by declaring that he makes no false comparisons, the implication being that other poets do precisely that.
Shakespeare’s sonnet aims to do the opposite, by indicating that his mistress is the ideal object of his affections because of her genuine qualities, and that she is more worthy of his love than the paramours of other poets who are more fanciful. An initial reversal is potentially present in line 8, and mid-line reversals occur in lines 4 and 12, and potentially in line 3. The meter demands that line 13’s “heaven” function as one syllable. This sonnet plays with poetic conventions in which, for example, the mistress’s eyes are compared with the sun, her lips with coral, and her cheeks with roses. His mistress, says the poet, is nothing like this conventional image, but is as lovely as any woman”. Sonnets had come to conform.
Shakespeare composed a sonnet which seems to parody a great many sonnets of the time. Patrick Crutwell posits that Sonnet 130 could actually be a satire of the Thomas Watson poem “Passionate Century of Love”, pointing out that the Watson poem contains all but one of the platitudes that Shakespeare is making fun of in Sonnet 130. Rogers points out the similarities between Watson’s “Passionate Century of Love,” Sonnet 130, and Richard Linche’s Poem collection entitled “Diella. There is a great deal of similarity between sections of the Diella poem collection and Shakespeare’s “Sonnet 130”, for example in “130” we see, “If hairs be wires, black wires grow on her head,” where in “Diella” we see “Her hayre exceeds fold forced in the smallest wire. Linche’s work draws upon the beauty of weaving gold and that Shakespeare mocks this with harsh comparison.